It really depends on the intentions and the register of the scene.”Ĭurrently looking for collaborators, at Picolo Pictures they are mostly “driven by the desire to create,” notes Paoletti. “Still, there are also times when the image is more realistic, with less saturated tones. It’s like painting with light and shadow,” says the director. “The graphic design is in 2D with no outline. We draw on silent cinema, which allowed us to develop Chaplin-esque situational comedy that dispenses with dialogue.”īut what it lacks in words, it more than makes up for in color. “We played a lot with pantomime when writing and staging. The idea is to avoid anthropomorphizing them too much, even if we do take certain liberties in order to help the viewers understand what’s going on between them,” says Paoletti, with Bisaro adding: “They express themselves through little cries, grunts and squeaks. In the film, the animal characters won’t talk, instead communicating through sounds. So, geographically, it’s the perfect New Zealand’s migrant.” It can be found in Australia and New Guinea. The echidna, on the other hand, has a more restricted territory. “The blue penguin is particularly common in Oceania. Indeed, as explained by Paoletti, it was the choice of an animal that motivated the film’s setting. Proving, once again, that penguins are beloved by animators all over the world, the duo was also excited to explore New Zealand and the Maori culture. We want to invite the viewers to think about these questions,” adds the director. “In fact, it’s a way of taking an interest in the living world in all its forms. About our connection to land and the way we, humans, inhabit it,” notes Paoletti. “We want to talk about our relationship with animals through the subject of domestication, since Cookie was raised in a shelter run by humans, and about the wild life the characters discover on their journey. As the eruption of a volcano causes humans to flee, nature reclaims their home. The team, which already stunned the audience with their award-winning “ Shooom’s Odyssey,” also takes on ecological issues in the film. The idea is to make it easier for them to identify with our characters.” Paoletti adds: “We also feel that young viewers can recognize themselves in this image of a blended family, which is widespread in today’s society. There isn’t just one kind of family, but many different ones.” “We are interested in showing emotional and creative efforts our characters make to adopt each other.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |